STUDIO FEATURE: FABIO'S VERSATILE SETUP AT FRESCO RECORDING SERVICES

This week's Studio Feature takes us to Pensacola, Florida, home of Fresco Recording Services. Owned and operated by Fabio Arauz, who also serves as the studio's Chief Engineer, Fresco has built a reputation for delivering top-notch audio production. Their impressive client list includes projects for Netflix, Hulu, Outer Banks, Calm, and more — proof that this Gulf Coast studio has a reach far beyond its city limits.

WHAT DOES YOUR CURRENT STUDIO SETUP LOOK LIKE?

When you step into Fresco’s studio, you immediately notice the balance — a space built for both creative flow and technical precision. It’s a room that’s seen countless sessions, from music production to voiceover work for major shows, all anchored by one central piece: the Bazel Analogue 3 Bay Studio Desk.

WHAT BAZEL DESK DO YOU HAVE AND WHY DID YOU CHOOSE IT?

Fresco’s choice was deliberate.

“I chose this desk after browsing many, many desks by other companies. This one offered great features without being too bulky, and the price was affordable. I’ve owned it for 4 years, the studio has grown a lot during that time, and I still don’t see myself upgrading.”

The Bazel Analogue – 3 Bay 24 RU Studio Desk in black doesn’t just look sleek; it’s built to handle a serious workload. The integrated racks keep gear within arm’s reach, and the generous layout keeps the workspace clear without taking over the room.

WHAT KIND OF WORK DO YOU DO IN YOUR SPACE?

At Fresco, the work goes far beyond music. This is a multi-purpose creative hub where artists of all genres come to record, mix, and bring projects to life. On any given day, you might find Fresco tracking a soulful vocal, editing ADR for a hit series, or recording a crisp, clean voiceover for a streaming show.

Some recent credits include Solar Opposites, Outerbanks, The Chosen, and more — proof that this space is designed to handle almost anything audio-related.

WHATS ONE PIECE OF GEAR YOU CANT LIVE WITHOUT?

Ask Fresco about essential equipment, and you’ll hear two names:

UA Apollo interface – the reliable core of his setup.
AKG C414 XLii microphone – a favorite for its versatility.

“Over the years I’ve grown to really favor this mic on almost anything that’s thrown at it.”

HOW HAS YOUR WORKFLOW OR SPACE CHANGED SINCE GETTING YOUR DESK?

Before the Bazel desk, equipment lived wherever it could fit. Now, everything has its place — and that place is within the “sweet spot.”

“We handle a wide range of services. The convenience of the racks and amount of gear you can fit on the desk has been helpful in keeping everything nearby and accessible.”

This efficiency is key when jumping between recording, mixing, and editing on tight deadlines.

ANY ADVICE FOR ANYONE BUILDING THEIR FIRST STUDIO?

Fresco’s perspective is refreshingly grounded:

“How your room sounds is probably more important than equipment. Learn what you have until you can’t anymore, then upgrade. Develop your ears by doing as much as you can and don’t think a single piece of gear is going to make the sound ‘better.’”